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7

Pass, will pass

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10

Spring 2

This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
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7

Spring 2 - Piano

Solo piano score -This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
Download the sheetmusic in PDF format to print
Download the sheetmusic in MIDI format to listen
Download the sheetmusic in NWC format for use with Noteworthy Composer or Noteworthy Composer free Viewer available here: NWC Viewer
Find this sheetmusic in video on YouTube

9

Spring 2 - Violin

Solo violin score - This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
Download the sheetmusic in PDF format to print
Download the sheetmusic in MIDI format to listen
Download the sheetmusic in NWC format for use with Noteworthy Composer or Noteworthy Composer free Viewer available here: NWC Viewer
Find this sheetmusic in video on YouTube

Highlight

SALVAILLE Claude

SALVAILLE Claude

I was born in modest one family worker, in a town of the Southwest of Quebec. However, I was always surrounded with music and with literature. My brothers listened to Beethoven and Gershwin, indifferently, and my mother read the life of Ste-Thérèse d’Avila; my sisters, them, read all the novels which the municipal library offered them. I had access to the piano rather early.

Let us put at once things in the light: except for some lessons of piano in the seminar, (not, I did not tend to the priesthood, but it was the only place where one offered the collective education) I also learnt to manage alone. But the school did not answer to my tastes. Music, history and literature, there was only that which interested me. I should have a nature fundamentally self-taught because finally I educated myself alone, musically and literally.

Side music, it is the composition which interested me. But my major problem was the harmony. I admit that I needed years before I understand the system.

Then, I met a young talented violinist, playing as well the piano as the violin and a very good composer. During 9 years, until its death ( 31 years old), we made of the music together. All this was lost in a move.

I continued with a little less heat until the computer discovers. I lost however many thing : my hard disk a beautiful day, draining away a good part of what I had written. I copy everything now to floppy disk. One always teaches the hard.

I finally understood how work the agreements. I have just written two accompanying for songs of an old friend of school with which one we made of the music, in illo tempore ! Concert at the end of May 2003

Hobbies ? Since the end of the school, I am interested in the history of the Jewish people. The interest never contradicted itself. For some years, I make as well in the construction and in the renovation of the houses as one bought himself. We in the campaign. Quiet and active.

My life, that's right. Reading, music and renovations. And friendly meetings around a good table and around a good wine, with friends that one loves a lot. It set there really more badly than me.