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2

Spring

This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
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8

Spring - Piano

Solo piano score -This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
Download the sheetmusic in PDF format to print
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5

The shepherd girl

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0

La pastourelle

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2

Spring - Flute

Solo flute score - This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
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1

Praeludium

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Highlight

HAYDN Joseph

HAYDN Joseph

Joseph Haydn was a central figure in the Classical period in Vienna. He was one of the most prolific composer of this period.

He was a friend to Beethoven and Mozart, who familiarly called him "Papa Haydn", in reference to the titles of "Father of the Symphony" or "Father of the String Quartet" because of his important contributions to these forms.

Romantic

Romantic

Romantic style was, at the beginning, a literary movement. In music this term is referring from about 1830 until the end of the century. Composers
attempted to increase emotional expression and power to describe deeper truths or human feelings.

From this time, music is considered as major art form, not only as work of talented artisans.