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7

Pass, will pass

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10

Spring 2

This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
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7

Spring 2 - Piano

Solo piano score -This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
Download the sheetmusic in PDF format to print
Download the sheetmusic in MIDI format to listen
Download the sheetmusic in NWC format for use with Noteworthy Composer or Noteworthy Composer free Viewer available here: NWC Viewer
Find this sheetmusic in video on YouTube

9

Spring 2 - Violin

Solo violin score - This piece, I wrote it at about the 1995s. The title : Printemps. (Finally, for what that wants to say… ). In this time, I travelled by train, every day, to go to my work. One hour of travel. I had the time to read and to write. Even of the music. I had made the harmonious analysis of Beethoven's sonatina. I used this harmonious walking to write "Printemps". I lengthened, added the whole blocks, changed the rhythmic and the tempo. In fact, there is only a structure, a skeleton on which I put back a new flesh and some laces. Main character : birdbrain ! The Baroque’s music is based on the independence of the voices. From the 18-th century, one accompanies a melody. For the Baroque, the voices are quite equal, everybody speaks together. One always finds this way of making in the jazz (New Orleans) and the music Klezmer. "Printemps" is written in this style. There are 3 parts which quarrel, complement each other, converse, enjoy themselves. Three parts, three voices : guitar, stamp : Rain, and piano. For me, it is a piece which makes smile and the same laughter. It is as well for me, a sign that it is not so bad as that.
Download the sheetmusic in PDF format to print
Download the sheetmusic in MIDI format to listen
Download the sheetmusic in NWC format for use with Noteworthy Composer or Noteworthy Composer free Viewer available here: NWC Viewer
Find this sheetmusic in video on YouTube

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MARTIN Patrice

MARTIN Patrice

Flutist (very) amateur, I write for the flute, but also for the piano and the other instruments.

The style of these compositions ? It depends on the humor of moment ! It is however in the field of what one calls the “classical music” but with a lot of eclecticism and without respect for the “classic” rules, it is about the shape or about the tonal the system.

Sometimes, the point of departure is the subject of a composer who is then completely hijacked. Sometimes also, the source of inspiration can be exotic, with the use of modes generally foreign to the European music.

I shall not comment on the partitions offered on this site. In the same way, I do not wish to evoke my personal course. For all this, the music should speak about itself either then the objective of the composer is not reached.

As I am not either anxious to expose myself with photo, this page would risk to be a little bit sad. So to cheer up it a little, here is a peaceful landscape which wakes up with the return of the light and the life, after the night-stase.

And now, in your listening !

Romantic

Romantic

Romantic style was, at the beginning, a literary movement. In music this term is referring from about 1830 until the end of the century. Composers
attempted to increase emotional expression and power to describe deeper truths or human feelings.

From this time, music is considered as major art form, not only as work of talented artisans.